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【本期要点】
0:30 音乐剧复排的概念
1:49 Revival 概念的特殊性
3:00 《剧院魅影》多个制作版本与复排的不同之处
8:08 大多数音乐剧的制作周期
11:55 以“捧角儿”为目的的复排
20:10 “性转版” Company 复排体现了导演的思考
31:00 本年度 Broadway 复排音乐剧点评（Sweeney todd, Camelot, Into the Woods 与 Parade）
39:11 制作成本越来越高的弊端
41:40 小制作复排剧也能成功
46:00 相比话剧，音乐剧复排制约更多
50:03 静云分享参与过的复排剧制作及导演工作体会
59:22 “换时代背景”也是常用操作之一
01:01:26 复排过程中对歌曲也会删改
01:07:26 Chicago 和 Cabaret 复排版本很成功，体现了re-imgaine
01:09:36 很多local小制作改编力度更大胆更有意思
01:13:50 复排失败的例子 Funny Girl
【本期嘉宾】
沙大，十八年音乐剧爱好者
聚聚，八年音乐剧爱好者
静云，戏剧行业从业者
【本期音乐】
0:00 "Wilkommen" from Cabaret, 1998 New Broadway Cast
12:57 "Everything’s Coming up Roses" from Gypsy, 2003 Broadway Cast
13:18 "Everything’s Coming up Roses" from Gypsy, 2008 Broadway Cast
23:14 "Barcelona" from Company, 2006 Broadway Revival Cast
23:36 "Barcelona" from Company, 2018 London Cast
24:55 "You Could Drive A Person Crazy" from Company, 2018 London Cast
27:47 "Getting Married Today" from Company, 2018 London Cast
44:25 "The Worst Pies in London" from Sweeney Todd: The Demon Barber of Fleet Street, Original Broadway Cast
44:44 "The Worst Pies in London" from Sweeney Todd, The Demon Barber of Fleet Street, 2005 Broadway Revival Cast
1:02:59 "Telephone Song" from Cabaret, Original Broadway Cast
1:03:30 "Tomorrow Belongs to Me" from Cabaret, Original Broadway Cast
1:04:09 "Tomorrow Belongs to Me" from Cabaret, 1998 New Broadway Cast
1:17:18 "Entr'Acte" from Cabaret, 1998 New Broadway Cast
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